![]() Thankfully, this version of Kirk knows age is finally catching up to him. He’s sent back to TOPGUN not as punishment he’s there to show the next generation of pilots how to aim higher than he ever will. Even Kirk had that problem with automation when the M-5 Unit was installed in “The Ultimate Computer.” But Maverick knows something others don’t–machines can’t replicate human ingenuity. The future of any military service can’t be replaced by machines. Lady GaGa and OneRepublic represent today’s soundscape.Īlso, there’s a sly subplot which I enjoyed. It’s updated to consider modern pop as defined by the 21st century. The producers opted for one song out of respect, and went for all new tracks to define this sequel. I’m surprised a certain Queen song wasn’t used, and the only reason this film delivers is because it’s not stuck in the 80s. There’s some effects shots which even I’m not sure if they are CGI or real. To get those goosebumps when riding that wild wind with a precision machine is what this film aimed for and I say the production team succeeded. Are either of the two an officer or a gentleman? No, they’re both free spirits they are more than just another ghost rider in the sky. Their career is going nowhere, and it took several films for both to find where they belong. The story picks up about thirty-five years later, with Captain Pete Mitchell ( Tom Cruise ) “stuck” in a rut. The lyrics establish more than just the tone of the work, but also provide a capsule summary of each set piece. ![]() It’s tough not to forget what Kenny Loggins “Danger Zone” and Berlin’s “Take My Breath Away” confirms as part of the presentation. The best takeaway is that both the original and this latest has fantastic music that honours the past and future.Įven the copycat films of the time had its strong musical moments. Not much has changed in Top Gun: Maverick.
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